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Beethoven’s Shadow at The Wax
September 25-27

September 25 @ 7:30 pm - September 27 @ 2:00 pm


 

Beethoven’s Shadow

The JSO celebrates Beethoven’s 250th birthday with two of his most iconic works, both written in 1803. The Triple Concerto is a celebration of virtuosity with 3 soloists vying for the spotlight. The 3rd Symphony, which was written as Beethoven began to reconcile the loss of his hearing, marks a turning point for Beethoven and is considered by many to be his best symphony! Football plans on Saturday? Come Friday or Sunday.

Preconcert Conversation @ 6:30pm (Saturday Only)

Join us for a free, interactive lecture on this evening’s featured music.

Q&A Session (Friday & Sunday Only)

Join us after the show for a free Q&A session with our guest artists.

 

Program Schedule

LUDWIG VAN BEETHOVEN
Concerto for Violin, Cello and Piano in C major, Op. 56
Arnaud Sussman, violin
Julian Schwarz, cello
Marika Bournaki, piano
Ludwig van Beethoven’s Concerto for Violin, Cello, and Piano in C major, Op. 56, more commonly known as the Triple Concerto, was composed in 1803 and later published in 1804 by Breitkopf & Härtel. The choice of the three solo instruments effectively makes this a concerto for piano trio, and it is the only concerto Beethoven ever completed for more than one solo instrument. A typical performance takes approximately thirty-seven minutes.

Read more on Wikipedia

———Intermission———

LUDWIG VAN BEETHOVEN
Symphony No. 3 in E-flat major, Op. 55
The Symphony No. 3 in E-flat major, Op. 55, (also Italian Sinfonia Eroica, Heroic Symphony) is a symphony in four movements by Ludwig van Beethoven. One of the composer’s most celebrated works, the Eroica symphony is a large-scale composition that marked the beginning of Beethoven’s creative middle period.

Read more on Wikipedia

Runtime: 1H 45M

 

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Winner of a 2009 Avery Fisher Career Grant, Arnaud Sussmann has distinguished himself with his unique sound, bravura and profound musicianship. Minnesota’s Pioneer Press writes, “Sussmann has an old-school sound reminiscent of what you’ll hear on vintage recordings by Jascha Heifetz or Fritz Kreisler, a rare combination of sweet and smooth that can hypnotize a listener. His clear tone [is] a thing of awe-inspiring beauty, his phrasing spellbinding.”

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A thrilling young musician capturing the attention of classical critics and audiences around the world, Arnaud Sussmann has appeared with major orchestras including the American Symphony, Buffalo Philharmonic, New World Symphony, Pacific Symphony, Paris Chamber Orchestra, Jerusalem Symphony, and the Vancouver Symphony. Further solo appearances in recent seasons included a tour of Israel and concerts at Lincoln Center’s Alice Tully Hall, Dresden Music Festival in Germany and at the Phillips Collection in Washington, D.C. Mr. Sussmann has been presented in recital at notable national series in Boston, Denver, New Orleans, Omaha, and Palm Beach, as well as at the Tel Aviv at the Museum of Art and at the Louvre Museum in Paris. He has also given concerts at the OK Mozart, Chamber Music Northwest and Moritzburg festivals and appears regularly at the Beare’s Premiere, Caramoor, Music@Menlo, La Jolla SummerFest, Seattle Chamber Music, Moab Music, and Saratoga Springs Chamber Music festivals.

Recent concerto appearances include performances with Maestro Valery Gergiev and the Mariinsky Orchestra at the White Nights Festival in St Petersburg, the Alabama Symphony, Albany Symphony, Grand Rapids Symphony, Jacksonville Symphony, and Santa Rosa Symphony. Over the past two seasons, chamber music performances included tours with Music@Menlo to Florence, Italy and with the Chamber Music Society of Lincoln Center to Colombia’s Teatro Mayor, Korea’s LG Arts Center, Shanghai’s Oriental Center, and Hong Kong’s Music Academy.

Arnaud Sussmann has performed with many of today’s leading artists including Itzhak Perlman, Menahem Pressler, Gary Hoffman, Shmuel Ashkenazi, Wu Han, David Finckel, Jan Vogler, and members of the Emerson String Quartet. He has worked with conductors such as Cristian Macelaru, Gemma New, Marcelo Lehninger, Rune Bergmann, and Leon Botstein. A dedicated chamber musician, he has been a member of the Chamber Music Society of Lincoln Center since 2006 and has regularly appeared with them in New York and on tour, including a recent concert at London’s Wigmore Hall.

A frequent recording artist, Arnaud Sussmann has released albums on Deutsche Grammophon’s DG Concert Series, Naxos, Albany Records and CMS Studio Recordings labels. His solo debut disc, featuring three Brahms Violin Sonatas with pianist Orion Weiss, was released in December 2014 on the Telos Music Label, and his most recent feature recording featuring works by Beethoven, Bloch, Fauré, and Mendelssohn was released in 2019 on the Music@Menlo LIVE label. He has been featured on multiple PBS’ Live from Lincoln Center broadcasts alongside Itzhak Perlman and the Perlman Music Program and with musicians of the Chamber Music Society of Lincoln Center.

Born in Strasbourg, France and based now in New York City, Arnaud Sussmann trained at the Conservatoire de Paris and the Juilliard School with Boris Garlitsky and Itzhak Perlman. Winner of several international competitions, including the Andrea Postacchini of Italy and Vatelot/Rampal of France, he was named a Starling Fellow in 2006, an honor which allowed him to be Mr. Perlman’s teaching assistant for two years. Mr. Sussmann currently teaches at Stony Brook University on Long Island and was recently named Co-Artistic Director of Music@Menlo’s International Music Program and Artistic Director of the Chamber Music Society of Palm Beach.

 


 

Julian Schwarz bio coming soon.

 


 

Described as “the Celine Dion of classical” by The Huffington Post, Marika Bournaki is at once a world-class performer, dazzling pianist, vivacious young woman and one of the freshest faces on the classical music scene. Ms. Bournaki not only brings distinctive interpretations to favorite standards, but extends her passion for music by commissioning works from younger composers and collaborating with artists from various fields.

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Marika Bournaki’s current season includes her return to Michigan’s Jackson Symphony Orchestra, debuts with the symphony orchestras of Modesto and Roanoke and recital programs with her duo partner, cellist Julian Schwarz.

Marika Bournaki has appeared as guest soloist with the symphony orchestras of Bozeman, Duluth Superior, Springfield (MO), Topeka, Montréal and St. Petersburg (Russia), along with Maryland’s Chesapeake Orchestra, The SYMPHONIA (FL), Romania’s Timisoara Filharmonica, Switzerland’s Verbier Chamber Orchestra and Canada’s Orchestre Métropolitain and Sinfonia Toronto. In addition to a benefit recital for the Glenn Gould Foundation at New York City’s Carnegie Hall, she has been presented in solo recitals and chamber music collaborations throughout the United States, Canada and the world, including Belgium, England, Germany, Greece, Italy, Romania, Switzerland and South Korea. Of special note was her survey of Beethoven’s complete 32-work piano sonata cycle, presented by the distinguished Bargemusic in Brooklyn.

A devoted chamber musician, Marika Bournaki performs regularly at Brooklyn’s Bargemusic, the Cape Cod Chamber Music Festival and the Frankly Music series in Milwaukee, while serving on the faculties of the Eastern Music Festival and Canada’s Lunenburg Academy of Music Performance. She tours internationally with duo partner cellist Julian Schwarz, and together won 1st prize in the 2016 Boulder International Chamber Music Competition’s “The Art of Duo.” Ms. Bournaki is also a member of the Mile-End Trio with Mr. Schwarz and violinist Jeffrey Multer.

The award-winning documentary “I am Not a Rock Star,” featuring Marika Bounaki and directed by Bobbi Jo Hart, has captivated international audiences of all ages. The feature-length film chronicles Ms. Bournaki’s evolution as an artist from the age of 12 to 20. A runaway success at multiple film festivals throughout the world, screenings of “I am Not a Rock Star” and solo performances were recently presented in Chicago, Dallas, Memphis, Miami, Napa Valley, Palm Springs, Toronto and Vancouver, as well as in Greece, México and Spain. The film has also been seen in Greece (ERT), The Netherlands (NTS), Norway (NRK), Sweden (SVT) the
United Kingdom (BBC4), Australia (SBS) and New Zealand (Sky). The documentary is the recipient of awards for Best Arts Documentary and Best Editing from the 2014 Canadian Screen Awards.

Marika Bournaki’s innovative approach to her art and performance is reflected in a number of multimedia projects intended to reach out to new audiences. Additionally, her role as Ambassador to the Orchestre Symphonique de Montréal’s summer event, “A Cool Classical Journey,” afforded new and stimulating ways to share her music with the public.

Marika Bournaki holds both Bachelor’s and Master’s degrees from The Juilliard School, where her principal teachers were Yoheved Kaplinsky and Matti Raekallio. She makes her home in New York City.

 


 

Details

Start:
September 25 @ 7:30 pm
End:
September 27 @ 2:00 pm
Event Category:

Venue

Weatherwax Hall at the JSO
215 W Michigan Ave
Jackson, MI 49201 United States
+ Google Map
Phone:
517-782-3221




If you’re reading this page, that means you’re hopefully joining us soon for a concert, and we love that. We care a LOT about making sure people who are newer to classical music and/or orchestra concerts have a great experience. If you have a question that isn’t answered below please contact us at info@jacksonsymphony.org we want to ensure you have an amazing experience.

What do I wear?
More than anything, we want you to be comfortable when you join us for a concert, so dress in a way that works for you. Some people love dressing up and going out—if that’s you go for it. If you prefer to be more casual, that’s fine too. You won’t be the only one dressed casually, either. You will see everything from jeans to suits and ties. In short, you do you, and we’re just glad you’re joining us.

When do I applaud?
This is tricky. The tradition is that you wait until the conclusion of the work, last movement in the case of symphonies, concertos, etc. On the other hand, no pun intended, you should feel comfortable expressing your response to the music whenever you feel moved to do so. A safe out is to wait until others start.

Do I need to know anything about classical music to enjoy the concert?
Not at all. Music is the language of the spirit as much as the mind. The universal language speaks directly to the listener, no interpreter necessary, enjoy! For a more in depth look at the music being performed, all concert goers can attend the free pre-concert conversation “Backstage Glimpses” hosted by Dr. Bruce Brown, JSO Composer in Residence. The conversation takes place at 6:30 pm .Dr. Brown leads a lively, enlightening and informative look at the evening’s repertoire. Guest Artists are generally present to give a brief talk on the music they will be performing and to answer audience questions. You can also listen to the concert playlist on Spotify. Compiled by Music Director Matthew Aubin, the playlist is full of his top picks of the best recordings of the pieces we will be playing.

Can I bring my child to an evening concert?
Children are welcome to attend all our events provided that they are supervised by an adult. Every child must have a ticket. Child/student ticket prices are only $5. For a family with small children we encourage you to attend a rehearsal. Phone the JSO office, (517) 782-3221 x117 for details.

How can I support the JSO?
The ways are numerous including annual fund, endowment, planned giving, volunteering and several more. Please click here for more information. The JSO is a 501(c)3, so any donation you make to the JSO is a tax deductible donation to the full extent provided by law.

Can I take photographs during the concert?
Photographing or taping JSO concerts is strictly prohibited. No recording devices or cameras are permitted without special authorization from the JSO.

Can I rent the JSO Downtown Music Center for functions?
Yes, our facility at 215 W. Michigan has proved to be an excellent venue for recitals, business meetings and even memorial services. Please contact us to learn more.

Can I hire orchestra musicians to play at an event?
Some of our musicians do perform at weddings and other special functions. Please contact the Orchestra Personnel Manager at: jacksonsymphonypm@gmail.com.

If I arrive to a concert late, will I be seated immediately?
The JSO makes every attempt to begin concerts on time. In deference to the comfort and listening pleasure of the audience in the hall, latecomers will not be seated until after the conclusion of the first work on the program, and there will be no seating break during any work. Patrons who leave the hall before or during a work will not be reseated until after the work is completed. Your usher will alert you as soon as it is possible to be seated. House lights are dimmed to indicate that the concert is about to begin.

How can I find out if a concert has been cancelled due to inclement weather?
To find out if a scheduled JSO performance has been cancelled due to inclement weather, hazardous roads, power outages and the like, call the box office at 517-782-3221 x117.

I’ve misplaced my tickets for tomorrow’s concert, what should I do?
If subscription tickets are lost, call (517)782-3221 x117. The JSO will verify the purchase through its records. Subscribers may then pick up an entry pass at the box office prior to the concert. These passes cannot be exchanged. The lost ticket policy does not apply to tickets already exchanged. (If they call the day before the concert, we write passes which the guest picks up at our “will call” table at JC after 6:30 PM the night of the concert.)

Can I donate my unused tickets?
Ticket holders unable to use or exchange their tickets are encouraged to call the JSO Box Office at (517)782-3221, ext. 117, at least 24 hours in advance of the concert. The value of each ticket can be used as a tax-deductible contribution. The JSO will send a donation letter and a CD of the missed performance to the donor.

Can I leave my cellphone on during a concert?
Cellular phones, pagers and alarm watches should be turned off while in the hall. Patrons should ask for the House Manager to report an emergency during a concert, or to make special arrangements to receive emergency phone calls during a concert. The JSO appreciates the audience’s cooperation in avoiding any extraneous sounds during the concerts. The hall microphones used to record the orchestra are extremely sensitive and will even record the sound of a wristwatch chime.

Does the JSO provide discounted ticket prices for groups?
Special rates are available for groups of 10 or more. Call (517) 782-3221 for details.

Can I do volunteer work for the JSO?
To volunteer for fund-raising projects and other exciting events, visit our volunteer page by clicking here or contact the JSO office at (517) 782-3221.

Where should I eat before a concert?
Several fine restaurants are located in Jackson;

I’m coming in from out of town, is there any place to eat close by?”
A full list of restaurants in the Jackson area can be found at the Experience Jackson website. Options within walking distance of The Wax include Bella Note, Chilango’s Burrito Bar, Chilango’s Chop House, Grand River Brewery, Night Light, and The Chase Sports Bar.

How about a hotel that’s nearby?
There are many hotel options within easy driving distance of The Wax. A full list of Jackson area hotels can be found by clicking here (you will be redirected to the Experience Jackson website).

What time does the concert start?
Unless otherwise noted on our website, all of our concerts start at 8:00. Doors to The Wax will open 30 minutes prior to the start of the show.

I’d like to bring my child(ren) to the concert, do I need to buy a ticket for them?
We think music is a universal experience and should be shared by those of all ages, so children are welcome at The Wax, but they do need a ticket unless they are small enough to sit in a lap during the concert. Also, since our room provides an intimate listening experience, we ask that children be able to sit quietly for the duration of the show (generally 75 to 90 minutes).

Where should I park?
There is plentiful street parking around our building and there are also Jackson City Parking Lots available on West Michigan Avenue, just east of South Jackson and just west of Mechanic Streets or on Pearl Street, just east of Blackstone and just west of South Jackson Streets.

I’ve bought tickets, but now can’t come to the concert; can I get a refund?
Unfortunately we are unable to offer refunds for concert tickets.

The weather is really bad; will the concert still take place?
In the rare event that a concert is cancelled we will immediately post a notification on our website along with any information about possibly rescheduling or refund information.

I (or my business) would like to be involved in the Music on Tap Series; are sponsorship opportunities available?
Sponsorship opportunities are available at many different levels. For more information, please click here to see our Support page.

We have special seating needs, is The Wax accessible?
The Wax is fully accessible. If you know you are coming to the show and you have accessibility needs, please contact us in advance so that we can make sure you are accommodated.

Are you on social media sites like Facebook and Twitter?
We are on Facebook and Instagram. Please like and follow us to stay up-to-date on everything that is happening.